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Today, the music continues with a packed event calendar that combines new talent and seasoned performers. Soon after, Ralph J. Gleason and Jann Wenner, based in San Francisco, established Rolling Stone magazine (first issue's date: November 1967). Regarding the musical side, it is pertinent to examine the types of association between the three main actors in these DIY arrangements: venues/organisers, bands/performers, and audiences/participants. Additionally, there are numerous Jazz Festivalsthroughout the Bay Area during warmer months. The light and charming One Hundred Men and a Girl, from 1937, starred Deanna Durbin as the daughter of an unemployed trombonist and the conductor Leopold Stokowski, whose character almost accidentally finds himself conducting an orchestra of the unemployed. No potential conflict of interest was reported by the author. Enjoy a show and a cocktail at B-Side, the lounge in the SFJAZZ Center. For example, Gilman incorporates all-ages, non-alcohol, and safer space policiesFootnote5 alongside volunteer, collective, and consensus-based approaches to organisation. Furthermore, the ethnographic examples I have presented suggest that alternative DIY systems do not only exist at the level of utopian ideas, but also as innovative and extensive socio-cultural practices that materially integrate American DIY worlds, from micro to macro levels. On similar lines, Marshall Sahlins differentiates between balanced reciprocity, defined by a tacit obligation to reciprocate, and general reciprocity or sharing, usually practiced among closer family members, where the reciprocation is non-obligatory (1972: 1939). Registered in England & Wales No. What is gained in this way is an experience of intimate and affective community (real interchange), creativity, active participation, and autonomy, and also a sense of active and productive opposition to a presumably non-effective and exploitative capitalist economic and social model existing in the larger society. In jazz it had been exuberantly pioneered by numerous musicians. At first, the local Bay Area bands played in smaller ones. The journalist Ed Vulliamy wrote: "The Summer of Love had an empress, and her name was Janis Joplin. Moreover, some venues and houses often collectively organised festivals and larger multi-venue events. San Francisco is a westward-looking port city, a city that at the time was 'big enough' but not manic like New York City or . Both James and Chris thus emphasise the added value of such enclaved DIY shows. Hence, it could support a 'scene'. These included sharing of food and equipment among DIY houses, local and translocal exchange of venues, the system of free boxes (see Figure 1),Footnote1 donations at shows, and participatory organiser-performer-audience interactions practices that enabled the creation of alternative cultural DIY worlds, and which in turn informed DIY sounds and aesthetics.