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Writing in The New York Times in 1987, Stephen Holden hailed her signing with MCA Nashville as a positive harbinger for the country-music industry, calling her among the most gifted writers to carry forward a Southern country variant of the confessional singer-songwriter mode that dominated Los Angeles rock in the early and mid-1970s., She assembled a band, the Blue Moon Orchestra, which would stay together for over a decade, and beefed up her finely wrought songs with country-pop muscle, a blend she called folkabilly.. She was 68. She was singing her Little Love Affairs songs and she was enthralling. for an article or song clip to help keep me stay in the realm of Nancis just awhile longer. Isnt she lovely?, The talent at Club Passims Nanci Griffith night represented at least two generations: it was a nice, low-key salute to the singer/songwriter, who played the venue often in the mid-80s. In 2010, Griffith received a Lifetime Achievement Award at BBC Radio 2 Folk Awards. I love you all and thank you for giving us your gifts of music. Nanci Griffith, the Grammy-winning folk singer and songwriter, has died aged 68. She played in clubs while finishing her academic qualifications, and armed with a degree in education from the University of Texas, she became a kindergarten teacher. Fantastic artist. Theres a Light Beyond These Woods gets a public airing here. Like, how do you even turn around to get back off the diving board? By then, Griffith had a record deal with folk label Rounder, and a lot of friends and musical collaborators to call on. The passing of Nanci upset me more that anything I can quite remember. From 1976 to 1982, Griffith was married to singer-songwriter Eric Taylor. At the utterance of her name, she stepped forward with resolute energy. I was still thinking of the concert the night before when shortly after 9:00 a.m. cryptic reports started coming over the radio about things happening in New York City. I felt a bit tacky wanting to know, but I did.) I am not alone in thinking that Griffiths best LPs were the two she did on the Philo/Rounder label in the mid-80s, Once in a Very Blue Moon (1984) and Last of the True Believers (1986), both produced by folk-legend Jim Rooney. In 1985, she moved to Nashville, where she was rewarded with a major-label contract. For a short spell in her early 20s she was a schoolteacher, but music called her. [1] She appeared many times on the PBS music program Austin City Limits starting in 1985 (season 10). As a 79 year old Austinite and longtime music fan, she was my favorite female singer. She kept playing through two bouts of cancer and a painful case of Dupuytrens contracture, an abnormal thickening of the skin on the hand, which severely limited the mobility of her fingers. On these music nights up in the quit mountains around Lake fontana some how or nother I would get his cd player stuck on repeat, a feat that could not be done any other time for some reason,and blast ,I knew love when I could still believe it was the greatest power in the world,at Mach 9 as he would say ,the monastery also would be lite up with her Angelica voice ,all who visited were introduced to her.she comes with me where eri I go and times I call her name,my favorite beyond a doubt,she was love ,and she shared it with us all.give her gift to some one,share her masage the world needs it, she did her part.rest in peice true love of mine ,meet you down on congress ave.next to the Woolworth store be driving a Ford econo line listening for the sound of lonliess.. Its good to read that kind of passion for an artist of such high quality.