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But on the small screen this summer, complex takes on the genre like Hell on Wheels (returning Aug. 12 to AMC) and Longmire (which has drawn big ratings for A&E) are in vogue again, and its worth taking another look at one of the bleakest westerns ever to grace the big screen. Lonely are the Brave - Washington State University Your Ticket Confirmation # is located under the header in your email that reads "Your Ticket Reservation Details". Douglas could escape by leaving the horse and going it alone but a cowpoke doesnt abandon his mount, not when the going is rough anyway, and in the end (or not quite the end) Douglas needs Whiskey. A military helicopter is brought in, and when the aircrew locates Burns they relay his location to the sheriff. Other merit found in the movie includes some tense moments while Jack is on the run, plus a gutsy and unconventional ending that you probably couldn't get away with today. In "Lonely Are The Brave" by David Miller, Freedom is the Most We are reminded that the Wild West consisted in a man, his horse and his gun for its beginnings. So many modern Westerns aspired to portray the sadness of the passing of the old ways and the tragedy of the fact that Western virtues were outmoded and now pointless. I'm amazed that it is not out on DVD yet. appear to evoke certain themes found in Abbey's literature beyond a hatred for that many of us had read as high school students. The prison escape scene is too lousy one though but the dialogues before the escape during the barricade cutting scene was hilarious. He has written the government and local authorities about his resistance to unjust authority and been given a year in jail. had interpreted as a symbol of the existential fate of modern man. Despite his doubts Mr. Douglas personified Burns, flouting cinematic rules by doing his own stunts and co-starring with an animal, a high spot of his career. When Jeri Bondi (Gena Rowlands) laments her husband's incarceration for helping illegals cross the border, she mentions the consequences one might face for violating real borders, real fences, real laws, and consequently, getting mixed up in real trouble. It was similar to Sam Peckinpah's "Ride the High Country" and other films meditating on cowboy as beloved anachronism.